Entry tags:
i mean
it could be either
neither of us knew what the hell we were doing
how often do you wear it?
lipstick or whatever i mean not makeup in general
[It's not that he's so blind that he doesn't see when Giorno wears makeup-- but he's looking at it in a whole new light.]
it could be either
neither of us knew what the hell we were doing
how often do you wear it?
lipstick or whatever i mean not makeup in general
[It's not that he's so blind that he doesn't see when Giorno wears makeup-- but he's looking at it in a whole new light.]
well now i have to look
i dont know i never really noticed but i dont usually
look
if that makes sense
its gotta be better than jotaro's though
i dont know i never really noticed but i dont usually
look
if that makes sense
its gotta be better than jotaro's though
you should show me sometime
later
if you want
since you actually know what youre doing
later
if you want
since you actually know what youre doing
i'm honor bound not to as your papa but watch yourself giorno
anyway your hand might not be as steady but you have way more know-how
it evens out
anyway your hand might not be as steady but you have way more know-how
it evens out
please dont put that idea in his head
how about tonight?
im out getting stuff but ill be home in like
an hour
how about tonight?
im out getting stuff but ill be home in like
an hour
[He finishes his errands-- which would take a lot less time if they just had money and he didn't have to do everyone a thousand favors just to get a bunch of nails, like, god, what is this, one of Kakyoin's video games?-- within an hour, as promised, and by then it's fairly late. Late enough that he takes care to be quiet as he deposits his stuff in his room and heads down to Giorno's.
It's become familiar, this routine. Not something he does every night-- but often enough that knocking and waiting at Giorno's door doesn't feel too different than doing it at Jotaro and Kakyoin's.
Which is good. Because it would be a lie to say he was entirely without apprehension; that he hadn't considered backing out with some excuse about exhaustion. But-- it's like with Jotaro. There's not going to be mockery; it's not as if Giorno's going to open the door and laugh in his face. And who knows? Maybe he'll just watch Giorno do it to himself, or let him talk about it. Nothing's set in stone.]
It's become familiar, this routine. Not something he does every night-- but often enough that knocking and waiting at Giorno's door doesn't feel too different than doing it at Jotaro and Kakyoin's.
Which is good. Because it would be a lie to say he was entirely without apprehension; that he hadn't considered backing out with some excuse about exhaustion. But-- it's like with Jotaro. There's not going to be mockery; it's not as if Giorno's going to open the door and laugh in his face. And who knows? Maybe he'll just watch Giorno do it to himself, or let him talk about it. Nothing's set in stone.]
[Despite himself, his mouth twitches into a smile.]
Nah.
[He slips in, closing the door behind him. And being subtle or teasing around something has never been his style, so:]
So how does it start? When you know what you're doing, I mean.
Nah.
[He slips in, closing the door behind him. And being subtle or teasing around something has never been his style, so:]
So how does it start? When you know what you're doing, I mean.
[Good grief, Giorno.]
Well-- I don't know. In general, I guess? What's the difference?
[And he sits on the floor, settling in, legs crossed under him. This is a comfortable position; this is a position that says he's ready to stay here for at least another half-hour.]
Well-- I don't know. In general, I guess? What's the difference?
[And he sits on the floor, settling in, legs crossed under him. This is a comfortable position; this is a position that says he's ready to stay here for at least another half-hour.]
Huh.
[He says it like he has any idea of what that means. He knows you can be dramatic with lips or eyes or whatever, and he's not stupid, he knows what focus means, but-- he has no idea what it means to focus on one area and let the rest be tame. But! That's what he's here to learn, or at least witness, so he nods encouragingly, like: go on.]
[He says it like he has any idea of what that means. He knows you can be dramatic with lips or eyes or whatever, and he's not stupid, he knows what focus means, but-- he has no idea what it means to focus on one area and let the rest be tame. But! That's what he's here to learn, or at least witness, so he nods encouragingly, like: go on.]
Eyes. Er-- eyeliner.
[He mirrors a line over the top of his eyelid, in case Giorno suddenly doesn't know what eyeliner is.]
And lipstick. Well-- he tried the lipstick, and I did a little, but I didn't like it, so mostly just him.
[He mirrors a line over the top of his eyelid, in case Giorno suddenly doesn't know what eyeliner is.]
And lipstick. Well-- he tried the lipstick, and I did a little, but I didn't like it, so mostly just him.
[Good question. He hesitates-- and then:]
You first.
[And maybe, possibly, him later.]
You first.
[And maybe, possibly, him later.]
Page 40 of 54